How do you mean? Or the art of listening, Thursday, June 26, 2008 14 am - 17 pm
This workshop aims to "draw the ears" that is to say, to reduce the loss of information between the compound The played and heard. Move from passive listening to active listening to better understand music. What are the tools of the musician to communicate with his earpiece? What are the tools of the earpiece to receive the music? What types of plays we practice ?
During this workshop is the least we can do is listen and we listen. We listen to music very different (but very targeted to our question) and we will share our perceptions. The language is music and dialogue polyphony. Are we in harmony? Not necessarily because it is not so much for listening sensitive than listening sensory to exercise our sense of hearing to better receive, analyze and identify the musical material. We try to formalize our understanding.
Educate. Conservatories are composers, instrumentalists but little headphones. This is called the "comment viewing" is a relatively new discipline which fits (finally) in the validation of professional degrees (CAPES, DE, CA). But has reduced the formation of amateur college, college, university. The adult is often based on a musical background so limited that penalty to analyze and verbalize their listening. Without resorting to the concepts of notation terrible will attempt to find words to speak of sounds.
Fifty years ago that I listen to music, lots of music, not all music. My experience can it benefit others? This workshop will answer. I'm not an artist, not even a teacher except that I must prove that listening is an art and I will try to unveil some secrets. Arousing a maybe ... certainly all ears.
A word, hello!
career as a librarian at Radio France's Orchestre National de France and director of the Documentation musical. Critical to the magazine Diapason, a member of the Academy Charles Cros, I summer festival artistic director of the Marais in Paris and the Chopin Festival in Bagatelle. I wrote two books: musical currents of the twentieth e century (Editions Papillon, 2003-2006) and Carlo Maria Giulini (Blue Night Edition, 2006). I am currently preparing a book on the Art of Listening (Blue Night Edition, 2009)
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